Celebrating the centenary of Aaron Copland's birth, Gloriæ Dei Cantores presents a broad spectrum of choral music by Aaron Copland and Virgil Thomson. These two musical giants exemplified the ideals of American culture and established a truly American style for music. The centerpiece for this recording is the first American recording in many years of Copland's choral masterpiece In the Beginning, featuring American mezzo-soprano Luretta Bybee. Also included are Thomson's beloved Four Southern Hymns and some of his fascinating early works written during his sojourn in Paris, and a selection of vibrant choral arrangements of Copland's Old American Songs.
|Aaron Copland (1900-1990)|
|1||In the Beginning||16:30|
|Old American Songs|
|3||The Boatmen's Dance||3:00|
|4||At the River||3:03|
|7||Help Us, O Lord||2:29|
|8||Thou, O Jehovah, Abideth Forever||2:01|
|9||Have Mercy on Us, O My Lord||3:28|
|10||Sing Ye Praises to Our King||1:55|
|Virgil Thomson (1896-1989)|
|Hymns From the Old South|
|11||My Shepherd Will Supply My Need||3:51|
|12||The Morning Star||1:14|
|14||Death, 'tis a melancholy day||2:35|
|Mass For Two-Part Chorus and Percussion|
|23||When I Survey The Bright Celestial Sphere||4:52|
| ||Total Time:||68:12|
Elizabeth Patterson and her Gloriae Dei Cantores continue to produce recordings featuring interesting, often neglected repertoire performed with great style and polish. The Copland pieces that open the program have been well served on CD, although the American Songs are better known in their solo versions than in their choral arrangements. On the other hand, Virgil Thomson’s vocal music remains largely underperformed and underappreciated, and the pieces on this disc are most welcome. The range of Thomson’s choral writing is nicely demonstrated by the contrast of the direct, unmistakably American sound of the Hymns from the Old South with the terse, dissonant minimalism of the Mass for Two-Part Chorus and Percussion from 1934. The latter, a consistently imaginative piece for women’s voices, could have been written yesterday. It is brief – the Agnus Dei lasts barely over a minute – but it contains many striking moments, including a surprisingly simple and original setting of the words “”Et homo factus est” and a brilliantly calculated emphasis on the final “dona nobis pacem.”
Patterson is a fine conductor – the motets and the hymns in particular flow effortlessly – and the choir is beautifully prepared. They have excellent diction, good intonation, and an attractive, versatile sound. Despite its difficulties, In the Beginning is sung with enthusiasm and confidence. Mezzo-soprano Luretta Bybee…delivers the text in a largely straightforward and communicative manner. Still, it is the Thomson pieces that stand out here, and one would hope that Patterson and her talented singers might give us more.
Richard Burke Fanfare
…Excellent. Gloriae Dei Cantores…faithfully deliver the music with enthusiasm and solid technique.
Classics Today David Vernier
Gloriae Dei Cantores, under Elizabeth Patterson, has issued, under the label of the same name, a beautiful collection containing Thomson’s Hymns from the Old South and the best eleven-minute Mass for Two-part Chorus and Percussion I have heard. …Copland’s In the Beginning, based on the book of Genesis and so beautifully sung here.
Robert R. Reilly Crisis Politics, Culture and the Church
Copland’s unaccompanied In the Beginning is a glorious work of notorious difficulty, and it receives and excellent performance from the Gloriae Dei Cantores with mezzo-soprano Luretta Bybee. Balance between soloist and chorus is very fine, and intonation and diction are commendable.
Victor Hill, Ph.D. Journal of the Association of Anglican Musicians
A good, solid release…Best of all are the Hymns from the Old South, with care elegant but never lost their bright simplicity. ‘Green Fields” may be the loveliest hymn I’ve ever heard.
Greenfield, American Record Guide